Contemporary classical composers Bass guitar
russian , soviet composer alfred schnittke
american composers using electric bass in 1960s included experimental classical music composer christian wolff (born 1934) (electric spring 1, 1966; electric spring 2, 1966/70; electric spring 3, 1967; , untitled, 1996); francis thorne, student of paul hindemith @ yale university (born 1922), wrote (liebesrock 1968–69); , krzysztof penderecki (cello concerto no. 1, 1966/67, rev. 1971/72), devils of loudun, 1969; kosmogonia, 1970; , partita, 1971), louis andriessen (spektakel, 1970; de staat, 1972–76; hoketus, 1976; de tijd, 1980–81 , de materie, 1984–1988). european composers began scoring bass guitar in 1960s included danish composer pelle gudmundsen-holmgreen (born 1932) (symfoni på rygmarven, 1966; rerepriser, 1967; , piece piece, 1968); irwin bazelon (churchill downs, 1970).
in 1970s, electric bass used american conductor-composer leonard bernstein (1918–1990) mass (1971). american jazz pianist dave brubeck used bass guitar 1971 piece truth has fallen. russian , soviet composer alfred schnittke used instrument symphony no. 1 (1972). in 1977, david amram (born 1930) scored electric bass in en memoria de chano pozo. amram american composer known eclectic use of jazz, ethnic , folk music.
in 1980s (and in following decades), electric bass used in works hans werner henze (el rey de harlem, 1980; , il ritorno d ulisse in patria, 1981), harold shapero, on green mountain (chaconne after monteverdi), 1957, orchestrated 1981; alfred schnittke s symphony no. 3 (1981); steve reich s electric counterpoint (1987) , 2x5 (2008), wolfgang rihm (die eroberung von mexico, 1987–91), arvo pärt (miserere, 1989/92), steve martland (dance works, 1993; , horses of instruction, 1994), sofia gubaidulina (aus dem stundenbuch, 1991), giya kancheli (wingless, 1993), john adams (i looking @ ceiling , saw sky, 1995; , scratchband, 1996/97), michael nyman (various works michael nyman band), mark-anthony turnage (blood on floor, 1993–1996), numerous works art jarvinen.
Comments
Post a Comment