Maman Louise Bourgeois

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bourgeois s maman sculpture @ guggenheim museum in bilbao


in late 1990s, bourgeois began using spider central image in art. maman, stands more 9 metres high, steel , marble sculpture edition of 6 bronzes subsequently cast. first made appearance part of bourgeois’s commission unilever series tate modern’s turbine hall in 2000, , recently, sculpture installed @ qatar national convention centre in doha, qatar. largest spider sculpture titled maman stands @ on 30 feet (9.1 m) , has been installed in numerous locations around world. largest spider sculpture ever made bourgeois. moreover, maman alludes strength of mother, metaphors of spinning, weaving, nurture , protection. prevalence of spider motif in work has given rise nickname spiderwoman.



the spider ode mother. best friend. spider, mother weaver. family in business of tapestry restoration, , mother in charge of workshop. spiders, mother clever. spiders friendly presences eat mosquitoes. know mosquitoes spread diseases , therefore unwanted. so, spiders helpful , protective, mother.










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